Download Medieval Tapestries Coloring Book (Dover Fashion Coloring Book), by Marty Noble

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Medieval Tapestries Coloring Book (Dover Fashion Coloring Book), by Marty Noble

Download Medieval Tapestries Coloring Book (Dover Fashion Coloring Book), by Marty Noble

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Product details

Age Range: 11 - 14 years

Grade Level: 4 - 8

Series: Dover Fashion Coloring Book

Paperback: 32 pages

Publisher: Dover Publications; Clr Csm edition (September 10, 2004)

Language: English

ISBN-10: 0486436861

ISBN-13: 978-0486436869

Product Dimensions:

8 x 0.2 x 10.5 inches

Shipping Weight: 4 ounces (View shipping rates and policies)

Average Customer Review:

4.4 out of 5 stars

98 customer reviews

Amazon Best Sellers Rank:

#81,804 in Books (See Top 100 in Books)

Marty Noble never disappoints me. Well drawn and it looks like it's going to be another fun one! I was pleasantly surprised at this book.

Very nice. Good quality paper. Good variety of tapestries. Very fun to color. This is my first foray into adult coloring; I don't do any kind of visual art. I purchased this book along with 24 Prismacolor pencils. Brewed some tea, put on some classical music (Haydn) and am having a great time. Very relaxing. Have finished two very detailed pages and they look great. I'm eager to start on the next image. I recommend this book.

Terrible coloring book. I love medieval tapestries, hence my purchase of this book.But as a coloring book, it is terribly done. The artwork looks as if a tapestry were simply photocopied, the colors removed, and then presented as is in the book, without being altered in any way for coloring. This is a bit difficult to describe. There are tiny little details that are too small to color, odd run-on sections that can't really be colored, and a host of other problems. Sad, sad that the publishers did this to tapestries :-(

This is a fantastic coloring book, I LOVE these kinds of pictures with all the detail, dont really like the ones that are "cutesy" with flowers and fish and so on. So I love the intricate design and the complexity of the pictures.HOWEVER, I do have a big complaint and that is these amazing pictures and are printed on what I would call "ordinary" paper, and printed on both sides. I use Gel Pens mainly for this intricate work and gel pens go through the page so the picture on the other side becomes unusable. That is a HUGE disappointment.I have the Outlander and Game of Thrones coloring books and those are printed on a heavier stock paper and only printed on the one side. Makes a huge difference. So while I love the pictures I am not really happy with the paper quality...

This is another coloring book that is very detailed and good for adults. There is a lot of detail and story telling to go along with each picture. I like that the covers feature two fully colored images from within the book so as to show the colors that would have been typically used during medieval times in tapestries. The paper is very nice, the printing is well done. I used a mix of marker and colored pencils and this seemed to work well. The titles of each tapestry and dates are included with the pictures so that you could possibly google more information if so inclined to do so. I would recommend this to my adult friends who like to color.

Again another Dover coloring book that knocks it out of the park. Bought several of the companies products so that when the kids ask me to sit and color with them I am not coloring in Dora but something more adult oriented. Turns out the kids love the books as much as I do, especially since most of the books also contain a short paragraph about the picture, sometimes a history lesson depending on the book.

Omg, this one is incredibly challenging...so much so it could probably take several months (or years depending on how often you color) to do every design in it. Some of the tapestries are so intricately detailed I have to keep my pencils sharpened to a fine point just to stay inside the lines.Normally I don't like already inked in parts (fashions are a no no), but in this case, I'm actually grateful that a few of the design backgrounds are blackened in.All in all an excellent adult style coloring book that will keep you occupied for many, many, MANY hrs. It's a great value considering how much time and effort it takes to do each design.With informative dates and descriptions printed below each depiction, it's educational as well as fun.Get your pencil sharpener ready (you'll need it!) and enjoy!

This is definitely not your child's coloring book (or the coloring book you had as a child). From "Death on his Pale Horse" to "The Griffin Protects His Lady" there's something here for everyone, except maybe young children. It's a very detailed book. In fact if you have problems with your vision or hands -- you may want to pass. I have occasional hand troubles and will be skipping coloring in it on those days. It's also probably far too detailed for young children. Not to mention that death, unicorns in captivity, and Trojan war scenes may be a bit much for them (not that there's violence portrayed, there's not).You'll want to break out colored pencils or very fine tipped markers for most of these. There are some rare areas that are wide open, but for the most part these are highly detailed pieces that will test your coloring skills.An intro note in the book gives a brief history of tapestries and each page gives us the name / country of origin / year of the tapestry on the page we're coloring.A must for older kids who are too old for traditional coloring books and adults who love to color.

The pictures are gorgeous and intricate but you either have to use color pencils or make copies of the pages you want to color because you will get bleed through on the picture on the backside of the page using markers or pens. The pages are also thin and not preferated, so copying on inkjet is a bit complicated because you can't just pull the page out, and you also have to be very careful coloring copies with markers or the ink will run. I still think this is a beautiful book!

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Medieval Tapestries Coloring Book (Dover Fashion Coloring Book), by Marty Noble PDF

Medieval Tapestries Coloring Book (Dover Fashion Coloring Book), by Marty Noble PDF

Medieval Tapestries Coloring Book (Dover Fashion Coloring Book), by Marty Noble PDF

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Download PDF Sleight of Hand (Dover Magic Books)

Download PDF Sleight of Hand (Dover Magic Books)

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Sleight of Hand (Dover Magic Books)

Download PDF Sleight of Hand (Dover Magic Books)

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Product details

Series: Dover Magic Books

Paperback: 432 pages

Publisher: Dover Publications; 0057- edition (March 1, 1980)

Language: English

ISBN-10: 048623911X

ISBN-13: 978-0486239118

Product Dimensions:

5.4 x 0.8 x 8.4 inches

Shipping Weight: 15.2 ounces (View shipping rates and policies)

Average Customer Review:

3.9 out of 5 stars

11 customer reviews

Amazon Best Sellers Rank:

#398,536 in Books (See Top 100 in Books)

good book. some tricks not really practical.

Terrific book with ideas that are proven over time to amaze and entertain your audience. A must have for every magician's library.

thnx

A well written book and an excellent source of information for anyone interested in learning some really cool up close magic.

Great product. Fast shipping. Exactly as described. Thank you.

This is a very well written book. The descriptions are enough to follow; BUT, the book is definitely lacking in illustrations. It would be confusing and frustrating for an amateur.

My grandson likes magic and this was perfect for him

Love and SachsIt may be difficult for some to understand a preference for books over DVDs and instant downloads. It so much easier to learn when you are just shown. What is the point in reading a book? ... and an old book at that?I must admit that part of my motivation may be strictly sentimental. I long for a personal connection to masters of the past. This is what mentors offer us; their experience, the insight gained, the lessons learned. If we pay attention, we can build on this, and seeing it with fresh eyes, move magic forward.But it isn't necessary to have a single, personal mentor.I can find dozens of willing mentors, patiently waiting for me to visit them, through the printed word. Some having been awaiting my visit for years, and others, for a century. They want to connect with me as much as I want to connect with them. They beckon me to lean in closer, so they may whisper in my ear, a bit of technical finesse; an overlooked move or method; a unique presentation for a familiar effect.As I read the sum of their experience, I am constantly looking to pick up tiny clues as to how I might break through, and somehow be enlightened, to be better. Not just with moves and tricks, but with those thousands of tiny, indispensable bits of advice that encourage and instruct. Those that only a seasoned mentor can offer.It is said that if you want to hide something, put it in print. Only the industrious will take the trouble to dig. If we really want to find out "what's new," we can start by looking for forgotten stratagems, and underappreciated ideas in older books. The things that no one else has taken the trouble to find or develop. With some imagination we can transform these into things that become new again. In the process, you will have the thrill of discovery, and the satisfaction of giving them new life.Good performers don't just "find" good material, they seek it out and develop it from a tiny seed. They see value in things that no one else sees, then they tear it apart and put it together in fresh combinations.If we hope to excel at magic, or anything for that matter, it would behoove us to understand it as much as possible, and have a wide a span of knowledge to draw upon; personal instruction, books, and yes, even DVDs. But considering only a small percentage of magic knowledge is available on video, we must go beyond the pedestrian or trendy. To improve, we must be a true student of magic, seeking a wide variety of sources.Dilettantes always look for instant gratification, the easiest way. They are satisfied with only a superficial understanding. They want it fast, and they want it now, with every move, every word laid out for them. They are complacent with turning a crank on their music box. But their rewards are limited by their limited effort. They can never grow.One of magic's great classics is Sachs' Sleight of Hand, and it is one of my very favorites. It is one of the most comprehensive books ever written on the performance of magic. Sach's has written as if addressing his own personal student, taking them step-by-step through the physical and psychological foundations of sleight of hand. It has a surprisingly eclectic mix of subjects, from stage to close-up magic. The contents include magic with coins, cards, cups and balls, and handkerchiefs, as well as tricks with simple apparatus. There is a book test, several unconventional mental items, and even a section on fire eating.Beginners in magic are not likely to have much patience with this book. They may be disappointed to find that it is not profusely illustrated. Tricks are explained clearly, but tersely, with much to read between the lines. And the tricks don't have catchy names like, "Turbo Coins", or "Extreme Aces," they often don't have a title at all, just a fresh paragraph. Sometimes there is the suggestion of a new idea in a single sentence. Students will get out of it what they put into it.Much like Erdnase's classic Expert at the Card Table, Sachs' book cannot be appreciated by the casual reader. You must dig for those little gems hidden throughout. Many of the popular tricks of today, are slight variations of these centuries old routines. Of course, everything must be updated and customized to the times, your ability and style. But that is just as true as something that has come out last week.Magicians often complain of being unable to learn from written descriptions. The fault is often in a lack of commitment by the student, but other times, it may be the fault of the author. Doing is a skill, teaching is another, and effectively teaching through writing is something else entirely. It is not an easy thing to write clearly, teaching in an engaging and accessible way. You have nothing to worry about here.Sachs is an excellent, entertaining writer. He chooses his words carefully, and there is so much condensed within them. This is one of the few books that I can read, as a whole, cover to cover. Many of the tricks themselves don't interest me at all, but Sachs' descriptions contain practical lessons on everything from audience management to practice and rehearsal, and many other things that would take years to learn on your own.Of Sachs' wonderful book, the great Harry Keller said, "I beg to say that it is far and away the very best work of its kind ever published," and no less an authority than David Devant said, "My den contains a large collection of books on magic, but none has a cover so worn as Sleight of Hand, by Edwin Sachs." Devant loved the book so much, he even contributed an extra chapter of his own routines which appeared in later editions.Included is a wealth of magic that may be performed impromptu at the dinner table or parties. Sachs describes a startling routine with a borrowed penknife rising in and out of a bottle, which can be easily adapted with a soda straw, pen or other common object, to workable in a variety of impromptu situations. Hats have been out of fashion for fifty years, but are now back. Sachs explains some startling tricks with what is once again a common object. In my book, The Book of Secrets, I described a most excellent impromptu trick with a table knife and a few pieces of paper. I had passed over this trick many times, as "that old trick." It took Charlie Miller performing it for me to really impress me, and set me to work on it. This ancient trick is now a staple in my repertoire.Of course, time and fashions change, and along with them, presentations and techniques must follow. But the fundamentals remain; how to misdirect: how to please people, how to handle spectators and hecklers; rehearsal habits; character and script. It's all there in Sachs. There are also excellent entries on presentation, and all the peripheral skills necessary for great conjuring.And yes, there is the sentimentality. The visceral pleasures: the smell of an old book; the fascinating old woodcuts; the paper and the beautiful colored cover stamp of the older editions. I like the way it feels in my hands. I can feel Sachs reaching out through the ages, through that quaint and wonderfully dense prose. Reaching out and showing me how. Telling me his story.He can now rest comfortably, knowing that someone has listened, and found the value in his words._______________Excerpted from Magic by Design, by John Carney.Visit [...]

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Download Japanese Death Poems: Written by Zen Monks and Haiku Poets on the Verge of Death

Download Japanese Death Poems: Written by Zen Monks and Haiku Poets on the Verge of Death

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Japanese Death Poems: Written by Zen Monks and Haiku Poets on the Verge of Death

Download Japanese Death Poems: Written by Zen Monks and Haiku Poets on the Verge of Death

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Review

"There is something so otherworldly and beautiful about Japanese poetry, but especially Japanese poetry about death…poetry and prose regarding death, dreams, and memories have an extra weight and heft to them, whilst still being able to maintain an ethereal, dreamy, nostalgic, cozy warm delivery in their thematic idea exploration." —Traveling Book Nerds

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About the Author

Professor Yoel Hoffmann has written several books on Buddhism and comparative philosophy, including The Sound of the One Hand, Radical Zen: the Sayings of Joshu, and The Idea of Self-East and West.

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Product details

Paperback: 368 pages

Publisher: Tuttle Publishing; Reprint edition (April 3, 2018)

Language: English

ISBN-10: 4805314435

ISBN-13: 978-4805314432

Product Dimensions:

5 x 0.9 x 6.9 inches

Shipping Weight: 9.6 ounces (View shipping rates and policies)

Average Customer Review:

4.5 out of 5 stars

64 customer reviews

Amazon Best Sellers Rank:

#32,021 in Books (See Top 100 in Books)

The death poem, or jisei in Japanese, is expected to be composed in addition to a last will and testament. This book's masterful compiler, Yoel Hoffmann, notes in his introduction that jisei have been interpreted as final concessions to politeness and proper social conduct (i.e., they are salutations to those still living), but quickly dismisses this theory by showing how few of these poems are written using the honorific language intended for such salutations. This collection offers us both tanka written by Zen monks and a larger helping of death-related haiku: for those unfamiliar with the mechanics of those styles, the former is a 5-line poem following a pattern of "5-7-5-7-7" syllables per line, while the latter is a 3-line poem following a "5-7-5" pattern of syllables per line. Neither uses any rhyming convention, even though the vast majority of the words in the Japanese language end with one of the five vowel sounds.Hoffman's synopsis of tanka poetry's spiritual inclinations is as accurate as any you're likely to read (he likens the poet to "a person holding two mirrors in his hands, one reflecting a scene from nature, the other reflecting himself as he holds the first mirror (p. 19-20.)" The vast majority of the poems here were recorded on dates during the Tokugawa period of Japan (1603-1868), even though jisei practice only really became de rigeur in the subsequent Meiji era. Nevertheless, the Tokugawa-era poems perfectly reflect the dramatic increase in cultural pursuits - the fabled ukiyo or 'floating world - particular to that time. This collection also shows the great friction between the Japanese heathen spirit of Shinto and the neo-Confuciansim popular during the Tokugawa era: the former's identification with nature spirits and the latter's more anthropocentric morality sometimes mesh perfectly in the poems, and sometimes make for bold moments of incongruity.The book's publisher, Tuttle, is one that specializes in Asian-themed books (travel journals, reprints of classics etc.) In their case, keeping this restrictive policy towards their choice of subject matter has allowed them to, ironically, release books that maintain a very universal appeal. Japanese Death Poems is one of these: despite the author's careful attempts to explain who wrote which poems under what uniquely Japanese historical conditions, these epigrams rarely fail to transcend time and place. Having said that, there are examples here that would be highly relevant to practicing Japanologists: there are entries from the renowned painter Hokusai (who pictures himself as a ball of blue fire hovering in the air), from haiku master Basho's oft-boastful pupil Kyoriku, and from several of the famous 47 ronin [masterless samurai] that inspired so many legends and epic films. Along with the historical perspectives come knowledge of cultural facts that may be unknown to new students of this culture, such as the Buddhist convention of giving a deceased person a new name, or the metaphorical significance of birds like the plover and hototogisu (cuckoo.)Ultimately, though, the book's main selling point is not its ability to fill the gaps in one's historical knowledge, but its ability to provide fresh, unexpected perspectives on the great, creeping inevitability of death. One surprise comes in the sheer breadth of humor, from cheeky to mordant, that animates many of these entries: there are, for example, death poems that poke fun at the institution of death poems themselves, and also ones that upset the Japanese notion of reverence for grand masters in any craft: one poet takes the lines of Basho's famous death poem ("On a journey, ill: / my dream goes wandering / over withered fields") and twists them into the irreverent parody "Locked in my room / my dream goes wandering / over brothels." Elsewhere, the poet Moriya Sen'an unleashes some skillful punning while anticipating a happily debauched afterlife: he requests to be buried beneath a leaky wine barrel, with the gag being that the Japanese for "the cask will leak" ("moriyasennan") is phonetically identical to the writer's name. When not surprising with comic devices, we can find other moments of extreme unorthodoxy in this book, such as when a character named Shisui is asked to compose a death poem, but merely paints an enso in his dying moments (an enso being the plain black circle characteristic to Zen Buddhism, symbolizing 'void as essence' and enlightenment.) The Zen monk Takuan Soho chose a similar method, painting the Chinese character for "dream" in lieu of a death poem as he breathed his last. The orthodox entries are no less interesting, though, showing that much sublimity and individuality is possible even when working within the rules, like the suggestion that death poems should include a seasonal image from the time in which the writer is dying.Buddhist ethics and views on eternity do, naturally, color much of the poetry in this volume: this may be problematic for anyone who absolutely cannot handle a good dose of Mahayana Buddhism in particular (a philosophy in which the "void" is not the opposite of the phenomenal world, but rather "the world in all its shapes and colors" itself [p. 306.]) If this way of thinking doesn't agree with you, there is plenty of poetry here making no explicit or implicit reference to articles of Buddhist faith. Some do anyway, and yet are no less effective in their simple poignancy, or their ability to be applied to the lives of any mortal: see for example Sofu's entry, which reads "Festival of Souls: / yesterday I hosted them / today I am a guest..." Whatever one's inclination towards Buddhist thought, many of the stories Hoffman unearths are fascinating and vital- who can fail to crack a smile at the story of the poor monk Eisai (1141-1215, a founder of Japanese Zen): he traveled to Kyoto near his death in order to "show people how to die," willed himself to die while sitting in a meditative zazen position, but then revived when his audience complained that he had died too quickly!I highly recommend Japanese Death Poems as a nuanced alternative to the more sensationalist (when not inaccurate or outright fabricated) "dark side of Japan" material. Given, the libidinous extremes uncovered by those other accounts are mind-altering when produced properly, but I often wonder what end purpose motivates these publishers' enthusiastic quest to show only the most blood-soaked side of Japanese life and death. A personal regimen of welcoming aestheticized psycho-terror (or, as the U.S. Marines call it, "embracing the suck") works to a certain degree, but unchecked death drive produces vastly diminishing returns when taken on as a ful-time way of life. So, when you do tire of that, there are books like these to turn to, which contain more genuine surprises than many of the books claiming they will shock you out of your cultural torpor. Whether these compact little jisei are motivated by an inherited Confucian sense of duty, by pure egotism, or other factors, the effect of reading them all is intoxicating: there is something special about people forcing themselves to contribute to creative life even as death prepares to swallow them up. I leave the last word to Hoffman here, since he shows what it is that ignites this spiritual defiance:"...how wise and humane is a culture that does not contrive an otherworldly supreme being to rule this world, the only one we know. One might ask what there is to be gained from a 'spiritual' sovereign who disturbs the peace of man with commands to act one way or another, promising in exchange an eternal world where scent, shape and color never enter [...] [Japanese nature] is not nature as understood by Western religions, the work of a creator who stands apart from his work, but nature bursting with vitality, appearing and disappearing in cycles of life and death, os summer and winter, spring and fall (p. 38-39)."

Educational, moving, and considering that they are Death Poems, enjoyable. The notes with each poem are very succinct and enlightening. I wonder if these writers would have imagined that there last Poems before death would be available centuries later for 1.99 on a Kindle. Everything is an illusion.

I really enjoyed this book. It's a very interesting compilation of poems and often the backstories of the individuals writing them. The different perspectives and insights on death as expressed in poetry was a neat look into another culture.

Intriguing theme for a collection that makes every poem all the more poignant. These brief poems are given good context by the collector/translator, but the real draw is the poems themselves. Most are not morbid but instead small crystallizations of wonder or beauty.

It is traditional in Japan to have a poem on your lips at the time of your death. Many cultures have the tradition of ascribing importance to the "last words" of a dying person, but I think Japan is unique in attempting to make death a beautiful aesthetic experience. As such, this collection has something for all humanity. Death is something we'll all eventually face; doing so with something approaching dignity is something we can all hope to do.Many cultures and religions have a tradition of a sort of happy hunting ground for an afterlife, to provide comfort to the masses of people who have had a hard life. It is my sense that the Japanese didn't have this sort of tradition in Shinto or Zen. As such, the Japanese approach to the end of life has particular poignancy for modern secular humanists, who also have no "happy hunting ground" to hope for.I can't speculate whether or not the poems are well translated, or the cultural anthropology was accurate, but I found the collection profoundly moving.

this book has a wonderful introduction. it is a large chunk of the book, instead of the usual ten pages or so it's 87 pages! this serves to educate the reader on japanese poetry throughout history and it is very useful in understanding and internalizing the poems.after that are the poems of zen monks, many with little mini biographies preceding them that often leave you wishing you could read all about the poets, even more so after you read their last words! some of these poems made my hair stand on end in awe. very deep and transcendental words.next is the haiku poets, also truly beautiful and unique.

These kind of poems are to be approached with reverence. I am very grateful that, finally, someone had the courage to move on from the heart moving poetry of nature to this particular subject. It is a deeper theme in many aspects, personal, social, semantics, as well as regrets for living this world. It is a very well explained kind of poetry and this book deserves a lot of attention. The reader will step in the realm of things a bit hard to talk about, but we all have things to learn from these poems.

A mix of haikus and “western” poetry. Gives a lot of historical context. Not just a book of poems. More like a history text!

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Ebook Joy for the World (Tibetan Translation Series)

Ebook Joy for the World (Tibetan Translation Series)

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Joy for the World (Tibetan Translation Series)

Ebook Joy for the World (Tibetan Translation Series)

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Product details

Series: Tibetan Translation Series

Paperback: 155 pages

Publisher: Dharma Publishing (January 1, 1987)

Language: English

ISBN-10: 0898003547

ISBN-13: 978-0898003543

Product Dimensions:

5.5 x 0.6 x 8.6 inches

Shipping Weight: 9.9 ounces (View shipping rates and policies)

Average Customer Review:

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Amazon Best Sellers Rank:

#472,023 in Books (See Top 100 in Books)

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Ebook Beyond the Sky and the Earth: A Journey into Bhutan, by Jamie Zeppa

Ebook Beyond the Sky and the Earth: A Journey into Bhutan, by Jamie Zeppa

Beyond The Sky And The Earth: A Journey Into Bhutan, By Jamie Zeppa When writing can change your life, when writing can improve you by providing much money, why don't you try it? Are you still quite baffled of where understanding? Do you still have no suggestion with what you are visiting compose? Currently, you will certainly need reading Beyond The Sky And The Earth: A Journey Into Bhutan, By Jamie Zeppa An excellent author is an excellent viewers simultaneously. You could define just how you create depending upon just what books to review. This Beyond The Sky And The Earth: A Journey Into Bhutan, By Jamie Zeppa can aid you to solve the trouble. It can be one of the best resources to establish your writing skill.

Beyond the Sky and the Earth: A Journey into Bhutan, by Jamie Zeppa

Ebook Beyond the Sky and the Earth: A Journey into Bhutan, by Jamie Zeppa

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Amazon.com Review

As a teacher of English literature, Jamie Zeppa would understand how the story of her journey into Bhutan could be fit into the convenient box of "coming-of-age romance," a romance with a landscape, a people, a religion, and a dark, irresistible student. An innocent, young Catholic woman from a Canadian mining town who had "never been anywhere," Zeppa signed up for a two-year stint teaching in a remote corner of the Himalayan kingdom of Bhutan. Despite the initial shock of material privation and such minor inconveniences as giardia, boils, and leeches, Zeppa felt herself growing into the vast spaces of simplicity that opened up beyond the clutter of modern life. Alongside her burgeoning enchantment, a parallel realization that all was not right in Shangri-La arose, especially after her transfer to a college campus charged with the politics of ethnic division. Still she maintained her center by devouring the library's Buddhist tracts and persevering in an increasingly fruitful meditation practice. When the time came for her to leave, she had undergone a personal transformation and found herself caught between two worlds that were incompatible and mutually incomprehensible. Zeppa's candid, witty account is a spiritual memoir, a travel diary, and, more than anything, a romance that retraces the vicissitudes of ineluctable passion. --Brian Bruya

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From Publishers Weekly

Zeppa's story is nearly an inversion of the ancient Buddhist tale of Siddhartha (in which a prince ventures from the paradise of his father's palace only to find the suffering and decay that he never knew existed) in that the author, at the age of 22, abruptly leaves a stale life in Canada to become a volunteer teacher in the remote and largely undisturbed Buddhist kingdom of Bhutan. Cloaked in the airy mountains between India and China, Bhutan initially frustrates but eventually captivates Zeppa with its rudimentary lifestyle that forces her to question former values and plans for the future. Though the story line would seem to open itself to cloying romanticization, Zeppa's telling of her clumsy attempts to adapt rings with sincerity and inspires sympathy. She thinks to herself upon visiting a local house: "In one shadowy corner, there is a skinny chicken. I blink several times but it does not vanish. Is it a pet? Is it dinner?" Zeppa's lucid descriptions of the craggy terrain and honest respect for the daily struggles of the natives bring the tiny land to life in a way that is reverent but real. Though she tries to avoid what a friend terms "that Shangri-La-Di-Da business" and grapples with the poverty, sexism and political squabbles in Bhutan that bother her, there is little doubt that she sees the place in a largely positive light and is tempted to remain. In the end, Zeppa's is a lively tale of her earnest efforts to reconcile what she has learned with what she has known. (June) Copyright 1999 Reed Business Information, Inc.

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Product details

Hardcover: 393 pages

Publisher: Riverhead Hardcover (June 7, 1999)

Language: English

ISBN-10: 157322118X

ISBN-13: 978-1573221184

Product Dimensions:

5.8 x 1.1 x 9.4 inches

Shipping Weight: 1.1 pounds (View shipping rates and policies)

Average Customer Review:

4.4 out of 5 stars

143 customer reviews

Amazon Best Sellers Rank:

#744,403 in Books (See Top 100 in Books)

I expected a first hand account of experiences with a unique and isolated culture, not the diary of a self absorbed college girl who just happened to find herself on the other side of the world. I got too little of the former and too much of the latter, with most of the Bhutanese people acting as background extras to Zeppa’s starring role. The author frustratingly contradicts herself repeatedly throughout the book, lecturing the reader about how our western values should not be pushed on the people of Bhutan, while often in the same paragraph doing exactly that as she forces her very Canadian ideals of gender roles on them. In the second half of the book, the cultural study of the people completely dries up in favor of Zeppa’s self justification of highly unethical behaviors.

This book has received plenty of praise from other reviewers and now I can add mine. It was a pleasure from start to finish and one of those books that, while hard to put down, you don't want to end either. Through her wonderful descriptions, honesty and humor, you are transported with the author on her both brave and naive venture into a vastly different culture and terrain than anything she has ever known. She starts out with great trepidation, wondering whether she has made a huge mistake and having no idea if she will have the strength of constitution or character to survive without her accustomed level of personal comforts and safety. It is an experience that allows her personal growth and an unexpected opportunity for reevaluating her values and reforming her path for the future. I bought this book initially to learn something of the culture of Bhutan prior to a trip we are planning, but got SO much more from it - certainly one of the best I have read in a while.

After earning her master's degree in English literature from York University, Toronto/Sault Ste. Marie native, Jamie Zeppa, became lost with her life's course. Yearning for adventure, she impulsively leaves her country, fiancé, and a potential doctorate education to teach English for two years in Bhutan; an isolated Himalayan kingdom, often referred to as the world's last Shangri-La; a country that has repelled globalization, undergoing little change in centuries."I want to go home. I tell Sasha I am coming down with something, and lie in bed and wish for things: a Cosmopolitan magazine, a bagel and cream cheese, a grocery store, the Eaton Centre two days before Christmas."Due to the polarization between the industrialized society of Canada and the rural way-of-life in Bhutan, Zeppa struggled tremendously with her process of acculturation. People no longer spoke English, Buddhism became the dominant religion, urban infrastructure was practically non-existent, and all the simple pleasures of Canadian life were gone. Misery consumed her as the risk of disease and sickness was brought into focus: a house infested with rats and bugs, questionable meat at the local markets, and hospitals that were miles away. However, with the help and kindness of the Bhutanese people, her fears would progressively dissipate and Bhutan would become her serenity."I remember my arrival in Bhutan and how miserable I was, and all the other teachers who seemed inexplicably content. They were right all along, I think. This is the most remarkable place, after all."Fundamentally, "Beyond the Sky and the Earth" is a love story. It is a memoir that recollects Zeppa's romance with a landscape, a people, a culture, and a man. Intricately written with compassion, Zeppa's book fashions us- the reader- into her persona, and systematically render us into her affection for a place. We will be carried along with her, as she journeys through joy and heartbreak; empathize with her as she flows from triumphs to struggles and righteousness to shame. And by the end of it all, we all will be humbled by it."They [her young students] curl up under a blanket, and I stand in the doorway, watching their small faces relax into sleep. I must squeeze my eyes tightly to stop the tears. If I feel this sad leaving Pema Gatshel after five months, I cannot imagine how I will feel leaving Bhutan after two years."What's also extraordinary about "Beyond the Sky and the Earth" is Zeppa's imaginative style of description. Unlike the conventional lackluster scenery narratives of most contemporary travel literatures, Zeppa's depictions are artistic and breathe life into the mysticism and beauty of a landscape forgotten by time."All around, the mountains rise and rise, pale gold and brown in the February light. At one end of the valley, beyond a wall of black, broken peaks, one white summit shimmer; at the other end, the mountains grow tamer, softly rounded and turning smoky blue in the distance."The only flaw- if it's even considered a flaw- with "Beyond the Sky and the Earth" is the book's potential to manufacture subjective non-literary criticisms. There are certain scenarios in the story in which the author comes off rather hypocritical. Some readers may also be distressed by Zeppa's heightened libido towards her male [college] students. But nevertheless, "Beyond the Sky and the Earth" is a well-written, concise, and honest piece of literature that is full of heart. It is a philosophical, anthropological, geographical, sociological lesson all bundled together inside the boundaries of an entertaining travel memoir. It is an experience and a pleasure to read- and similar to the country of Bhutan itself, this book is a hidden beauty. I highly recommend it.

This is a memoir in the very turest sense of the word. As with many menoirs, this one is a mixture of honesty, sometimes too much honesty, some striking gaps, some self-deception, and some 'meretricious adornment'.I bought the book on recommendation from a friend and also read some of the (positive and negative reviews before delving in). What is good in this book (the very personal view of Bhutan in the 90s by a young naif from Canada--who appears to have had limited exposure even to the complexities of her own country's multiple cultures) is indeed quite good. What is bad (the retelling of her romance with and eventual marriage to one of her students) is not as bad as I had been led to believe by the negative reviews.To my mind, the book is as much about how exposure to another culture helps someone grow up (you could easily plug in a number of other countries/situations) as it is a narrative about life in this rather unique, far away country. For those who know Bhutan through a visit of their own, there is much to recognize and remember. For those who do not, this is an interesting (if somewhat dated) introduction to a country that is full of complexities and contradictions. It is a shame that while Zeppa is quite willing to describe pretty intimate details of her romance and her own family's (most notably her grandfather's) and friends' reaction and eventual acceptance, she is virtually silent on how she was received by her Bhutanese inlaws. One gets a sense that life continues to be complicated, but you kind of feel left hungry at the table.

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Ebook Free , by Jessica Gunderson

Ebook Free , by Jessica Gunderson

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, by Jessica Gunderson

Ebook Free , by Jessica Gunderson

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Product details

File Size: 54879 KB

Print Length: 32 pages

Publisher: Picture Window Books (November 1, 2014)

Publication Date: October 1, 2014

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B00O33WL2U

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Amazon Best Sellers Rank:

#205,781 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

I read this because it was free as part of my Prime membership on Amazon.A book for young children and not very good even at that. Some myths are debunked. Many remain.

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Download Ebook Knopf Guide: Naples and Pompeii (Knopf Guides)

Download Ebook Knopf Guide: Naples and Pompeii (Knopf Guides)

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Knopf Guide: Naples and Pompeii (Knopf Guides)

Download Ebook Knopf Guide: Naples and Pompeii (Knopf Guides)

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Language Notes

Text: English (translation) Original Language: French

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From the Inside Flap

The spectacular beauty of the Bay of Naples and the Amalfi Coast are exploredin this handy guide, along with the ancient sites of Pompeii and Herculaneum.1,000 full-color illustrations.

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Product details

Series: Knopf Guides

Paperback: 364 pages

Publisher: Knopf (December 9, 1996)

Language: English

ISBN-10: 0679764518

ISBN-13: 978-0679764519

Product Dimensions:

4.6 x 0.7 x 9 inches

Shipping Weight: 15.2 ounces

Average Customer Review:

5.0 out of 5 stars

3 customer reviews

Amazon Best Sellers Rank:

#2,871,518 in Books (See Top 100 in Books)

The Knopf guides series are unique. They combine colorful pictures, in-depth historical background and detailed descriptions of sightseeing attractions. They are handsomely bound on bright glossy paper. I preferred the old style of plastic semi-hard binding that has recently been phased out. There are so many great places to visit in the Bay of Naples that they couldn't cover it all and include everything but it's better than any other I've seen.Guides such as the Michelin Green Guides series will devote just a few paragraphs to an attraction. Such guides have the advantage of being organized in a more orderly way that's much more conducive to touring by car.You can read a few sentences about the place you are about to see before you get out of your tour bus or rental car. The Knopf guide instead would be better read at home even before taking any trip. The wise traveler would be best served by having an in-depth guide such as this or the Rough Guides series and a guide with brief descriptions like the Michelin guide.The Naples guide contains excellent separate sections for Pompeii (over twenty pages), Paestum, Capri and Herculaneum.If you are an archeology buff like me this is a great improvement over the 1 or 2 pages that other guides devote to these important but overlooked historical sites. The three delightful Greek temples at Paestum are older than the Parthenon in Athens and less than 100 miles south of Naples on a flat plain (no climbing up a hill as in Athens).A minor negative point is the use of drawings where photographs would have been more useful; this seems to be true for all of the Knopf guides I've seen. An aerial photograph to give the lay of the land of a city or historical site would be more useful than a drawing that is of uncertain accuracy.

After reading the other reviews of this book, I decided to buy it and I am glad I did. It gives a wonderful account of the history and traditions of this remarkable area. I would recommend it highly for anyone planning to stay in Naples for more than just a short vacation and for people who are just interested in learning more about not only the monuments and churches, but also the rich culture.

Informative and insightful. Excellent walking tours, important facts and historical backgound. Many good perspectives from writers and artists. This has been our "go to" book when we explore Naples. (We have lived in Naples for a year now.) Our best pre-trip purchase. JTP

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